L’histoire se construit autour de deux
lieux. Une chambre d’hôtel et la scène d’un théâtre où par des
transpositions visuelles sur les espaces, le temps mis en images produit
des impressions, interstices filmiques qui accompagnent les réflexions
d’un auteur et un récit.
L’auteur narrateur transcrit un discours et une succession d’évènements qui constituent l’écriture d’une pièce. Il pose les personnages, leurs relations, évoque des lieux. Il associe ces derniers à l’espace scénique, cherche l’articulation entre ce qui est avant le texte et après le texte. La vidéo montre les lieux, sans identification images-récit.
Remerciements à Pierre Oudart
auteur de " diégèse - l'atelier du texte " Hypertexte continu
L’auteur narrateur transcrit un discours et une succession d’évènements qui constituent l’écriture d’une pièce. Il pose les personnages, leurs relations, évoque des lieux. Il associe ces derniers à l’espace scénique, cherche l’articulation entre ce qui est avant le texte et après le texte. La vidéo montre les lieux, sans identification images-récit.
Remerciements à Pierre Oudart
auteur de " diégèse - l'atelier du texte " Hypertexte continu
texte de la vidéo " Extraits Diégèse 2006 "
Filmmaker Combes&Renaud / Text Pierre Oudart /
Sound Strom Varx / Translation John Kingston Olliver / 2009 /
Synopsis
The story is built around two sites. A hotel room, and the stage of a theatre, where, through visual transpositions in the two places, time set in images produces impressions, interstices in films that accompany the thoughts of a playwright and a narrative.
The playwright and narrator relates the discourse and the succession of events that constitute the writing of a play. He sketches the characters, their interrelations, evokes the
surroundings. He associates the locations with the stage configuration, works on the articulation of what precedes the text and what follows. The video shows the locations, with no identification between images and narrative. The video editing and the narrator’s voice produce short-circuits, holes in the narrative, gaps between what is seen and what is heard, proposing a fictional sensorial perception of the emerging narrative.
thanks to Pierre Oudart , who wrote the texts,
extracts text Diégèse 2006, diegese.fr
filmmaker Combes&Renaud
Marie Combes & Patrick Renaud
combesrenaud.com
combesrenaud.blogspot.com/
thanks to Strom Varx who made the sound track
Video 25 pal DVD and betanum, format4/3, running time 14’10, black & white, sound stereo, VF sous titrée anglais, 2009 ©combesrenaud
Synopsis
The story is built around two sites. A hotel room, and the stage of a theatre, where, through visual transpositions in the two places, time set in images produces impressions, interstices in films that accompany the thoughts of a playwright and a narrative.
The playwright and narrator relates the discourse and the succession of events that constitute the writing of a play. He sketches the characters, their interrelations, evokes the
surroundings. He associates the locations with the stage configuration, works on the articulation of what precedes the text and what follows. The video shows the locations, with no identification between images and narrative. The video editing and the narrator’s voice produce short-circuits, holes in the narrative, gaps between what is seen and what is heard, proposing a fictional sensorial perception of the emerging narrative.
thanks to Pierre Oudart , who wrote the texts, extracts text Diégèse 2006, diegese.fr
filmmaker Combes&Renaud
Marie Combes & Patrick Renaud
combesrenaud.com
combesrenaud.blogspot.com/
thanks to Strom Varx who made the sound track
Video 25 pal DVD and betanum, format4/3, running time 14’10, black & white, sound stereo, VF sous titrée anglais, 2009 ©combesrenaud
